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Posts published in “Impressions”

Learning from the Ministry of Silly Walks: TUTA’s Building Physical Characters Workshop and Clowning in the Experimental Scene

Pictured above: Carolyn Molloy as Bernadette in TUTA’s 2016 production of The Edge of Our Bodies/Photo: Anthony LaPenna On July 7, TUTA offered a workshop in clowning called Building Physical Characters.…

Progressive Cultural Appropriation: The Intersection Between the National Theatre’s “Behind the Beautiful Forevers” and Chicago Theaters

Pictured above: Meera Syal as Zehrunisa in Behind the Beautiful Forevers/Photo: Variety Playwrights love to give voice to the voiceless. But does it always work in practice? To investigate this question,…